"Soundtrack der Alpen".
Beitrag von Alois Pumhösel über das vom FWF geförderten Projekt "Soundscapes von ,Heimat'" im DER STANDARD (Beilage Forschung Spezial)
Interview
Maria Fuchs is a musicologist and lecturer, currently working as a postdoctoral scholar in the field of music and media culture at the Center of Popular Culture and Music at the Albert-Ludwigs-University Freiburg.
Vortrag
"Medienkulturwissenschaftliche Überlegungen zum musikalischen Repertoire des deutsch-österreichischen Berg-und Heimatfilms".
Im Rahmen der digitalen Ringvorlesung "LIVE TALK Junge Musikwissenschaft stellt sich vor - aus Berlin und der ganzen Welt", Institut für Musikwissenschaft, Universität der Künste Berlin.
Juni 2020
Universität der Künste Berlin
Links
UdK Berlin
Moderation
Moderation der Stummfilmmatineen.
im Filmcasino, Rahmenprogramm des 21. Internationalen Akkordeon Festival Wien
Februar / März 2020
Filmcasino, Wien
Links
Filmcasino
Soundscapes of 'Heimat'
Mapping Musical Signatures, 2020–2023
Research Project
This project aims to contribute to the clarification of the concept of 'home' by showing how it is created in relation to media and pop music
and how it influences a sense of collective identity and social belonging. Since the beginning of the 20th century, the medium of film has proved to be an essential constructive element of 'home' in the German-speaking world. In the research literature on 'homeland' films and mountain films of Austrian/German film production, the important role of music in these films has so far been given little attention.
Stummfilmmusik.
Theorie und Praxis im "Allgemeinen Handbuch der Film-Musik (1927)"
Schüren: Marburg 2016
(= Marburger Schriften zur Medienforschung 68)
Publication
This book examines the musical performance practice of silent film in Germany in the 1920s and sheds light on the early attempts at a theory and aesthetics of film music. The starting point for the study is the "Allgemeine Handbuch der Film-Musik" from 1927. Thereby, the genesis of film music conventions will be explored as well as the intermedial relationship between silent film music and music-aesthetic traditions.