"Filmmusik und koloniales Erbe".
Gastvortrag am Zentrum für Genderforschung und Diversität der Kunstuniversität Graz
Gastvortrag
Maria Fuchs is a musicologist and lecturer, currently working as a postdoctoral scholar in the field of music and media culture at the International Research Center for Cultural Studies / University of Art and Design Linz.
Jänner 2024
Gastvortrag
"Luis Trenkers transalpines Kino + die Rolle von Musik in der Genrification des Bergfilms".
Vortrag im Rahmen des DFG Workshops "Selfmademan und Medienmarke: Luis Trenkers Strategien der Selbstinszenierung
Dezember 2023
Universität Heidelberg
Links
DFG Luis Trenker
Guest Curator
"Großes Kino. Movie Posters from Twelve Decades".
Guest Curator for the exhibition “Großes Kino. Movie Posters from Twelve Decades”, Kunstbibliothek Berlin in cooperation with 74th Internationale Festspiel Berlin.
November 2023
Kulturforum Berlin
Links
Kulturforum Berlin
Soundscapes of 'Heimat'
Mapping Musical Signatures, 2020–2023
Research Project
This project aims to contribute to the clarification of the concept of 'home' by showing how it is created in relation to media and pop music
and how it influences a sense of collective identity and social belonging. Since the beginning of the 20th century, the medium of film has proved to be an essential constructive element of 'home' in the German-speaking world. In the research literature on 'homeland' films and mountain films of Austrian/German film production, the important role of music in these films has so far been given little attention.
Stummfilmmusik.
Theorie und Praxis im "Allgemeinen Handbuch der Film-Musik (1927)"
Schüren: Marburg 2016
(= Marburger Schriften zur Medienforschung 68)
Publication
This book examines the musical performance practice of silent film in Germany in the 1920s and sheds light on the early attempts at a theory and aesthetics of film music. The starting point for the study is the "Allgemeine Handbuch der Film-Musik" from 1927. Thereby, the genesis of film music conventions will be explored as well as the intermedial relationship between silent film music and music-aesthetic traditions.