"Großes Kino. Movie Posters from Twelve Decades".
Guest Curator for the exhibition “Großes Kino. Movie Posters from Twelve Decades”, Kunstbibliothek Berlin in cooperation with 74th Internationale Festspiel Berlin.
Maria Fuchs is a musicologist and lecturer, currently working as a postdoctoral scholar in the field of music and media culture at the International Research Center for Cultural Studies / University of Art and Design Linz.
Research Fellowship
"Scoring Africa. Film Music as Cultural Colonialism".
Research Fellow at the International Research Center for Cultural Studies / University of Art and Design Linz exploring the role of film music in the production of a colonially shaped concept of the African continent.
October 2023
IFK Vienna
Links
IFK Vienna
Guest Lecture
"The Persistance of Romantic Landscape: From Mahler to the Politics of Nature in the Heimat Genre".
Lecture at the international conference '(Re)mediating Mahler', Gustav Mahler Research Foundation (Innsbruck) in cooperation with the Euregio Cultural Centre Gustav Mahler in Dobbiaco.
September 2023
Euregio Cultural Centre
Links
Cultural Centre Dobbiaco
Soundscapes of 'Heimat'
Mapping Musical Signatures, 2020–2023
Research Project
This project aims to contribute to the clarification of the concept of 'home' by showing how it is created in relation to media and pop music
and how it influences a sense of collective identity and social belonging. Since the beginning of the 20th century, the medium of film has proved to be an essential constructive element of 'home' in the German-speaking world. In the research literature on 'homeland' films and mountain films of Austrian/German film production, the important role of music in these films has so far been given little attention.
Stummfilmmusik.
Theorie und Praxis im "Allgemeinen Handbuch der Film-Musik (1927)"
Schüren: Marburg 2016
(= Marburger Schriften zur Medienforschung 68)
Publication
This book examines the musical performance practice of silent film in Germany in the 1920s and sheds light on the early attempts at a theory and aesthetics of film music. The starting point for the study is the "Allgemeine Handbuch der Film-Musik" from 1927. Thereby, the genesis of film music conventions will be explored as well as the intermedial relationship between silent film music and music-aesthetic traditions.