
"Filmmusik und koloniales Erbe".
Gastvortrag am Zentrum für Genderforschung und Diversität der Kunstuniversität Graz
Gastvortrag am Zentrum für Genderforschung und Diversität der Kunstuniversität Graz
Vortrag im Rahmen des DFG Workshops "Selfmademan und Medienmarke: Luis Trenkers Strategien der Selbstinszenierung
Guest Curator for the exhibition “Großes Kino. Movie Posters from Twelve Decades”, Kunstbibliothek Berlin in cooperation with 74th Internationale Festspiel Berlin.
This project aims to contribute to the clarification of the concept of 'home' by showing how it is created in relation to media and pop music
and how it influences a sense of collective identity and social belonging. Since the beginning of the 20th century, the medium of film has proved to be an essential constructive element of 'home' in the German-speaking world. In the research literature on 'homeland' films and mountain films of Austrian/German film production, the important role of music in these films has so far been given little attention.
Publication
This book examines the musical performance practice of silent film in Germany in the 1920s and sheds light on the early attempts at a theory and aesthetics of film music. The starting point for the study is the "Allgemeine Handbuch der Film-Musik" from 1927. Thereby, the genesis of film music conventions will be explored as well as the intermedial relationship between silent film music and music-aesthetic traditions.